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I wasn’t into nationalist orchestras, then Satoe Indonesia surprised me
I wasn’t into nationalist orchestras, then Satoe Indonesia surprised me
Agak Laen returns funnier and warmer, but don’t call it a sequel
Agak Laen returns funnier and warmer, but don’t call it a sequel
Exploring stories and their reasons with Xu Xi
Exploring stories and their reasons with Xu Xi
‘Dumplings and Dreams’: What a 14-year-old author can teach us about feminism and power
‘Dumplings and Dreams’: What a 14-year-old author can teach us about feminism and power
Prosperity and Progress

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Why we overwork (and what that might be hiding)
Why we overwork (and what that might be hiding)
Privilege to quit: Hope, desperation and the uneven right to stop
Privilege to quit: Hope, desperation and the uneven right to stop
Uniquely yours: Jakarta weddings are getting smaller and more personal
Uniquely yours: Jakarta weddings are getting smaller and more personal
Fantasy in the flesh: Inside Indonesia’s booming costume economy
Fantasy in the flesh: Inside Indonesia’s booming costume economy
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Is it ADHD or the algorithm? The problem with self-diagnosing mental illness
Is it ADHD or the algorithm? The problem with self-diagnosing mental illness
Divorced at night: When separate beds bring couples closer
Divorced at night: When separate beds bring couples closer
Beyond ballrooms and banquet halls: When the usual wedding venues just don’t feel right
Beyond ballrooms and banquet halls: When the usual wedding venues just don’t feel right
Salted Olive: A taste of the Mediterranean, Jakarta-style
Salted Olive: A taste of the Mediterranean, Jakarta-style
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Features
The Weekend Digest

Sections

Latest

I wasn’t into nationalist orchestras, then Satoe Indonesia surprised me
I wasn’t into nationalist orchestras, then Satoe Indonesia surprised me
Agak Laen returns funnier and warmer, but don’t call it a sequel
Agak Laen returns funnier and warmer, but don’t call it a sequel
Exploring stories and their reasons with Xu Xi
Exploring stories and their reasons with Xu Xi
‘Dumplings and Dreams’: What a 14-year-old author can teach us about feminism and power
‘Dumplings and Dreams’: What a 14-year-old author can teach us about feminism and power
Prosperity and Progress

Sections

Latest

Why we overwork (and what that might be hiding)
Why we overwork (and what that might be hiding)
Privilege to quit: Hope, desperation and the uneven right to stop
Privilege to quit: Hope, desperation and the uneven right to stop
Uniquely yours: Jakarta weddings are getting smaller and more personal
Uniquely yours: Jakarta weddings are getting smaller and more personal
Fantasy in the flesh: Inside Indonesia’s booming costume economy
Fantasy in the flesh: Inside Indonesia’s booming costume economy
Life

Sections

Latest

Is it ADHD or the algorithm? The problem with self-diagnosing mental illness
Is it ADHD or the algorithm? The problem with self-diagnosing mental illness
Divorced at night: When separate beds bring couples closer
Divorced at night: When separate beds bring couples closer
Beyond ballrooms and banquet halls: When the usual wedding venues just don’t feel right
Beyond ballrooms and banquet halls: When the usual wedding venues just don’t feel right
Salted Olive: A taste of the Mediterranean, Jakarta-style
Salted Olive: A taste of the Mediterranean, Jakarta-style
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Reza Mardian

Reza Mardian is a winner of the Best Film Critic award at the Festival Film Indonesia 2024 and a “pawrent” to two rescued cats. He writes screenplays every time he finishes rewatching La La Land or Lady Bird.

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What the 2025 Oscars mean for Indonesian cinema
Culture And Entertainment

What the 2025 Oscars mean for Indonesian cinema

As the Oscars shine upon more international films, Indonesia might want to rethink its strategy to break into the global spotlight.
Food, politics and obsession: Tasting Indonesia’s flavors in 'Rahasia Rasa'
Culture And Entertainment

Food, politics and obsession: Tasting Indonesia’s flavors in 'Rahasia Rasa'

A chef who develops an aversion to spices, a forgotten recipe book and an alternate history: Hanung Bramantyo’s latest film serves up more than just food.
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